Eat Pray Love Trailers & Video Clips

Eat Pray Love Trailer HD

Director:Ryan Murphy
MPAA Rating: PG-13 for brief strong language, some sexual references and male rear nudity
Cast:Julia Roberts, James Franco, Richard Jenkins, Viola Davis  and Billy Crudup.

Release Date:August 13, 2010

The Sorcerer's Apprentice (2010) Review

The good news, if you are not a Monica Bellucci completist, is that the rival sorcerers are played by Alfred Molina and Nicolas Cage. Mr. Molina, who was perhaps a bit too sensitive as Doc Ock in “Spiderman 2,” attacks his villainous role, Maxim, with mustache-twirling relish. As Balthazar, Mr. Cage, having worked with the director, Jon Turteltaub, on the popular “National Treasure” series, refines the oddball intensity he brought to those pictures and mixes in new flavors of wackiness. If he has not quite approached a Christopher Walken level of sublime self-parody, Mr. Cage has at least established himself as the heir to Al Pacino in the crazy mentor pantheon.

“The Sorcerer’s Apprentice” is the latest movie about an ordinary fellow — it’s almost always a fellow — who is, all of a sudden and to his great astonishment, dragged into an epochal, supernatural battle between good and evil. The fellow in question this time is the distinctly unpromising Jay Baruchel, a gangly Canadian ectomorph who got the girl (though not much of an audience) in “She’s Out of My League” and who trained the cartoon dragon in “How to Train Your Dragon.” Here he plays an N.Y.U. physics major named Dave who tinkers with a giant Tesla coil in his subterranean laboratory and pines for Becky (Teresa Palmer), a pretty music lover who was his childhood crush.

Meanwhile, though, Dave has learned that he is the Prime Merlinian, which means that “The Sorcerer’s Apprentice” is not just another dweeb/cutie romantic comedy, but also a phantasmagorical action picture in which bolts of lightning will shoot out of people’s hands, and ancient spells will be uttered to cataclysmic effect right on the streets of Manhattan. To spare you the full rehash: hundreds of years ago a bunch of bad wizards were stuffed into a Russian doll, including the really mean Morgana (Alice Krige) and the gorgeous Veronica (Monica Bellucci). Now two supermagicians, Balthazar Blake and Maxim Horvath, battle to let one of the ladies out of the doll — called the Grimhold, by the way — and keep the other one trapped inside.

Source: http://www.onlinenewstrack.com/2010/07/16/the-sorcerers-apprentice-2010-review/

Inception (2010) Review

“Inception” is not necessarily the kind of experience you would take to your next shrink appointment. It is more like a diverting reverie than a primal nightmare, something to be mused over rather than analyzed, something you may forget as soon as it’s over. Which is to say that the time — nearly two and a half hours — passes quickly and for the most part pleasantly, and that you see some things that are pretty amazing, and amazingly pretty: cities that fold in on themselves like pulsing, three-dimensional maps; chases and fights that defy the laws that usually govern space, time and motion; Marion Cotillard’s face.

The relationship between movies and dreams has always been — to borrow a term from psychoanalysis — overdetermined. From its first flickerings around the time Freud was working on “The Interpretation of Dreams,” cinema seemed to replicate the uncanny, image-making power of the mind, much as still photography had in the decades before. And over the course of the 20th century, cinema provided a vast, perpetually replenishing reservoir of raw material for the fantasies of millions of people. Freud believed that dreams were compounded out of the primal matter of the unconscious and the prosaic events of daily life. If he were writing now, he would have to acknowledge that they are also, for many of us, made out of movies.

And movies, more often than not these days, are made out of other movies. “Inception,” Christopher Nolan’s visually arresting, noir-tinged caper, is as packed with allusions and citations as a film studies term paper. Admirers of Ridley Scott’s “Blade Runner” and Stanley Kubrick’s “2001” will find themselves in good company, though “Inception” does not come close to matching the impact of those durable cult objects. It trades in crafty puzzles rather than profound mysteries, and gestures in the direction of mighty philosophical questions that Mr. Nolan is finally too tactful, too timid or perhaps just too busy to engage.

Source: http://www.onlinenewstrack.com/2010/07/16/inception-2010-review/

Milenge Milenge Movie Review

Genre: Romance
Director: Satish Kaushik
Producer: Surinder Kapoor
Presenter: Boney Kapoor
Music Director: Himesh Reshammiya
Star Cast: Kareena Kapoor, Shahid Kapoor, Satish Shah, Delnaz Paul, Aarti Chabria
Release Date: July 9, 2010

Kareena has her image of his life partner, her only goal of her life is marrying the Mr. perfect and having two kid and leave a happy family. In this journey, she meets Shaheed which she thinks is his Mr. Right, but Shaheed keeps manipulating her.

After this the part of Serendipity comes where they write phone numbers on a book and a currency note. `If we’re meant to find each other, we’ll find each other’s numbers,’ they say and disperse. After 3 years, they are still in love with each other, but without any means to contact.

‘Milenge Milenge’ is a love-to-be-forgotten tale for both the makers and the audience. The film not only lags behind the times in terms of story and concept, but is absolutely outmoded in terms of screenplay, music, acting and direction. Shahid and Kareena have grown since then and can be safely characterized as two seasoned actors today. ‘Milenge Milenge’ just serves as a flash of the past for the two of their old school of acting. The music of the movie is also passé. In short, we can safely conclude that nothing in ‘Milenge Milenge’ would keep jingling in your minds post five minutes from the theatre, except the moolahs that you spent for the ticket and popcorn!

Final word? Milenge Milenge may be dated, but watch it for the chemistry between its lead pair. Perhaps, this Jab We Met jodi may never team up ever again!